A crise do recital de piano, em artigo na Standpoint.
If the piano recital is to survive, it needs a mix of different ingredients: genuinely great artists with individuality and sound artistic judgment; their accurate recognition by halls, record companies and audiences; an alternative setting in which to play and listen; and performers whose energy can successfully reimagine a 19th-century concept for the 21st century. Otherwise, we can all go back to sleep.
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